Right Into Her Arms
William Kentridge
A film installation is built into a mechanized panel proscenium structure with sliding and rotating panels, programmed to move as characters in the projection.
The projection surface is broken up with panels of paper and cardboard of different texture and colour.
The film concept is further broken up when the cardboard panels start moving across the stage, turning, shifting, and eventually taking on personalities of their own. They become the protagonists of the piece, lovers that conspire together and end in a dance